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Trace Evidence: An Art Exhibition and Panel Discussion at Minnesota Street Project

Posted on by sarahhwang@berkeley.edu

Trace Evidence
Curated by Annie Malcolm and Rachelle Reichert
Exhibition September 8th – 29th
Opening event + Panel: September 11, 2018
Minnesota Street Project, San Francisco

Trace Evidence is an exhibition and a panel discussion at Minnesota Street Project, in partnership with SFMOMA Public Dialogue, in which the curators—2019 GUH Fellow Annie Malcolm and artist Rachelle Reichert—will convene visual artists from China and the U.S. who are considering issues of environmental change focused on China. Trace Evidence will take place in San Francisco in September 2018, during the Global Climate Action Summit, and is formally affiliated with GCAS.  The curators are interested in interrogating the work of art as a platform for cross-cultural conversation about climate change. Annie Malcolm discusses the conception of the exhibition and its connection to her research on Chinese art villages.

Americans gaze over to China and see the physical conditions produced by late capitalism magnified because of the scale and speed of development. China’s processes of industrialization and urbanization have degraded their environment in parallel fashion to US industrialization but, due to its rapid progress, they are uniquely perceptible.

Thinking with Timothy Morton, we conceive of climate change as a hyperobject (Morton 2013): its entirety can never be seen, yet it affects everything. How are artists taking the visual elements of climate change, pollution, and extraction and making them accessible? How are artists trying to see this thing that is impossible to see but felt everyday? Climate change is a form of slow violence (Rob Nixon 2013), harming and displacing people, enacting violence at a slower speed than violence usually occurs; climate change forces the rethinking of timescales.

The work we will show in this exhibition deals with these issues on different levels of directness. Some of the work offers the opportunity to meditate on the questions, think about scale, and be in a sensible relationship to place, landscape and environment; other works expose the viewer to the violence of extraction and the factors at work in climate change. By exhibiting both American and Chinese artists, this exhibition will look from the outside while addressing the area from within.

Coming to Berkeley to start my Ph.D. in Anthropology in 2013, my plan was to study art worlds in Beijing. In 2015, however, after my experience in the GUH studio course Art + VIllage + City, taught by GUH professors Winnie Wong and Margaret Crawford, exploring Guangzhou and Shenzhen, I changed my field site to an art village outside Shenzhen. This came in part out of the arrival at Wutong Art Village, twenty minutes down the road from Dafen Village and yet seemingly a world away from Shenzhen’s rapid speed and intense industry. Wutong sits atop the Shenzhen Reservoir, Hong Kong’s water source, and is thus an ecological preserve site. Therefore, while the art there doesn’t sell at a scale like that of Dafen, a creative enclave is given space to thrive. Southern China has a unique history in relation to urbanism and experimentation, both with capitalism and aesthetics.

The GUH course gave me a level of comfort with the studio visit form that I didn’t previously have; it taught me about presenting ideas visually, and about making research communicable through exhibition. Since I met artist Zhou Tao shortly after the GUH studio (who is one of the artists featured in Trace Evidence), I have wanted to show his work back home in the United States—his tender vision, acute methods of processing what he sees as pressing issues of our time and his creation of visual art that is cutting and human, abstract and accessible, bleak and beautiful. Trace Evidence is that desire realized, and with the added excitement of working in affiliation with GCAS to bring art and climate change into conversation.

About the Curators

Rachelle Reichert creates graphite drawings and sculptures inspired by research of Chinese graphite mines, the source of graphite used in her artworks. The drawings depict abstract shapes from up-to-date satellite images of the mines. Working the graphite to reveal its material capacities through the visual language of abstraction, she explores the cost of green technologies and industries.  

Annie Malcolm is a sociocultural anthropologist whose work explores how Chinese artists respond to environmental and urban change. Currently writing an ethnographic monograph about art villages in outer Beijing and Shenzhen, she has worked in China over the last five years in research, installation, and translation capacities. Malcolm is a 2019 GUH Fellow and participant in the 2015 studio course Art + Village + City, for which was also the director for the satellite exhibition at the Shanghai biennale. She was also editorial assistant for the 2015 GUH sponsored journal P[art]icipatory Urbanisms, as well as a contributor to the GUH Special Issue of Room One Thousand Urban Pilgrimage. Malcolm is grateful for GUH’s support on this project.

Image: ​Zhou Tao The Worldly Cave [Fán Dòng] 2017, film still. Courtesy the artist and Vitamin Creative Space

References
Morton, Timothy. 2013. Hyperobjects: Philosophy and Ecology After the End of the World. Minneapolis: University of Minnesota Press.
Nixon, Rob. 2013. Slow Violence and the Environmentalism of the Poor. Cambridge: Harvard University Press.


Nevertheless, She Persisted: Women and Land Rights in China

Posted on by Tina Novero
Filed under: Art+Village+City, China

  By Susan Moffat, Project Director, Global Urban Humanities Initiative The Constitution of the People’s Republic of China promises women equal rights. But in reality, many women have to petition for years to secure equal legal rights to their village lands. Their dogged persistence is a striking example of the way quiet, long-term activism can bring about changes to people’s “right to the city,” said Lanchih Po at a recent talk sponsored by the Global Urban Humanities Initiative at UC Berkeley. “Their activism is not photogenic,” said Po, an associate adjunct professor of East Asian Languages and Cultures at UC Berkeley,…


Art, Politics & the City in Mexico and China: Exhibit(ion)s and Publications

Posted on by Genise Choy

The Art, Politics & the City in Mexico and China symposium took place on October 23, 2015. This wide-ranging interdisciplinary symposium examined art, commerce, politics, violence, history, and urban space on both sides of the Pacific. Creative artists and scholars explored contemporary performance, film, art, and activism in Mexico City from the Revolution to today. The event also featured an exhibition on current art and urbanism in China’s dynamic Pearl River Delta (Art+Village+City) and research on contemporary Shanghai by a team from the UCLA Urban Humanities Initiative was presented in a video-based exhibit. In addition, new UC Berkeley publications and…


Art+Village+City: The Website

Posted on by Genise Choy
Filed under: Art+Village+City

Art+Village+City in the Pearl River Delta was one of two interdisciplinary courses sponsored by the Global Urban Humanities Initiative in Spring 2015. Students in this research studio utilized a variety of research methods from interviews to video documentation to explore the ongoing evolution of relationships between urban and rural spaces and people, and the emerging role of the arts in China’s Pearl River Delta. Students from the Art+Village+City studio have been working hard over the summer to turn the class's experiences and documentation into polished products to share with the world, in the form of a catalogue, a website and…


Art+Village+City: Post-Travel Update

Posted on by Genise Choy
Filed under: Art, Art+Village+City, China

Art+Village+City in the Pearl River Delta is one of two interdisciplinary courses being sponsored by the Global Urban Humanities Initiative in Spring 2015. Students in this research studio are utilizing a variety of research methods from interviews to video documentation to explore the ongoing evolution of relationships between urban and rural spaces and people, and the emerging role of the arts in China’s Pearl River Delta. From March 18th to April 3rd, the students and faculty of the Art+Village+City in the Pearl River Delta Studio visited the three mega cities of the Pearl River Delta: Hong Kong, Shenzhen, and Guangzhou.…


Art+Village+City: On the Photograph

Posted on by Genise Choy
Filed under: Art, Art+Village+City

Art+Village+City in the Pearl River Delta is one of two interdisciplinary courses being sponsored by the Global Urban Humanities Initiative in Spring 2015. Students in this research studio are utilizing a variety of research methods from interviews to video documentation to explore the ongoing evolution of relationships between urban and rural spaces and people, and the emerging role of the arts in China’s Pearl River Delta. This week in the studio we worked on two common forms of fieldwork representation that are often overlooked: the single photograph, and the anecdote. Each student took a single photograph and told a single…


Art+Village+City: On the Anecdote

Posted on by Genise Choy

Art+Village+City in the Pearl River Delta is one of two interdisciplinary courses being sponsored by the Global Urban Humanities Initiative in Spring 2015. Students in this research studio are utilizing a variety of research methods from interviews to video documentation to explore the ongoing evolution of relationships between urban and rural spaces and people, and the emerging role of the arts in China’s Pearl River Delta. This week in the studio we worked on two common forms of fieldwork representation that are often overlooked: the single photograph, and the anecdote. Each student took a single photograph and told a single…


Art+Village+City: On Video as a Method and What Constitutes a “Site”

Posted on by Genise Choy

Art+Village+City in the Pearl River Delta is one of two interdisciplinary courses being sponsored by the Global Urban Humanities Initiative in Spring 2015. Students in this research studio are utilizing a variety of research methods from interviews to video documentation to explore the ongoing evolution of relationships between urban and rural spaces and people, and the emerging role of the arts in China’s Pearl River Delta. The research studio paired up in teams and produced 7 short videos depicting a “Chinese” site. These sites were the Pacific East Mall in El Cerrito, Oakland’s Chinatown, San Francisco’s Chinatown, and two dollar-stores…


Happy New Year from Art+Village+City in the Pearl River Delta!

Posted on by Genise Choy
Filed under: Art+Village+City, Film, Oakland

Filmed and edited by Katie Bruhn and Annie Malcolm


Art+Village+City: Video Presentations

Posted on by Genise Choy

Art+Village+City in the Pearl River Delta is one of two interdisciplinary courses being sponsored by the Global Urban Humanities Initiative in Spring 2015. Students in this research studio are utilizing a variety of research methods from interviews to video documentation to explore the ongoing evolution of relationships between urban and rural spaces and people, and the emerging role of the arts in China’s Pearl River Delta. Students paired up to create videos of places related to China and the Chinese diaspora throughout the Bay Area. Here is José Figueroa's watercolor documentation of the in-class presentations! We'll be posting one of…