Blog

Category Archives: History

Tokyo’s Flow: The Importance of Material in Historical Tokyo

Posted on by Genise Choy

As part of the Global Urban Humanities Initiative Colloquium called Reading Cities, Sensing Cities we have asked students and visitors to write responses to each of the weekly guest lectures.


November 20, 2014
The Tokyo Model: Lessons in Slum Non-Clearance from the World’s First “Megacity”
Jordan Sand (Japanese History and Culture, Georgetown University)

Presentation available here.
Video of the conversation available here.
Professor Sand presented his research on the activities of a Tokyo slumlord at the turn of the 20th century.


by Yael Hadar

No phenomenon can be explained outside of its context. In his lecture, “Lessons in Slum Non- Clearance from the World’s First Megacity,” Professor Jordan Sand talks about the historical context in which Edo became Tokyo, the largest metropolitan area in the world.

Professor Sand addressed in his lecture two things that I found fascinating. One was the idea of fire as a force that shapes the city and its population. The other was the idea of materials and the flow of materials.

The buildings in Edo were destroyed by fire approximately once every 5 to 10 years. The temporality of place made investments in real estate not worthwhile. In this setting, Professor Sand brings the unique story of Osaki Tatsugoro, an illiterate builder who purchased peripheral land at the end of the 19th century and built a neighborhood called Nishimaru-cho that had approximately 300 housing units.

What I found most interesting about Osaki’s story is the lease agreement he had his tenants sign in which the tenants gave away their right to all the human waste they produced at the site so that Osaki could sell it as fertilizer. The lease agreement also states that when a tenant does not follow said agreement, Osaki is allowed to take out all the outside shutters and floor boards from the house to deter the tenant from staying.

This relates directly to a finding Professor Sand presented in the form of an image of what people from Edo took with them in the case of fire--their textiles, floor boards and movable doors.



Image courtesy of Jordan Sand


Both of those examples, Osaki’s lease and the image of what people chose to save from fire, can teach us the importance of movable materials in historical Tokyo. When everything can be destroyed quickly, things need to be moved quickly. This, Professor Sand says, can teach us about the importance of flow. When we come to look at a city like Tokyo we should consider looking at the movement of materials, the movement of “stuff,” rather than try to investigate the space, as it might be that those are still the things that are valued in a place like Tokyo.

Yael Hadar is a graduate student in the UC Berkeley Department of Landscape Architecture and Environmental Planning.


“Invoking” The Spirits of History: Tokyo’s Nishimaru-cho

Posted on by Genise Choy

As part of the Global Urban Humanities Initiative Colloquium called Reading Cities, Sensing Cities we have asked students and visitors to write responses to each of the weekly guest lectures. November 20, 2014 The Tokyo Model: Lessons in Slum Non-Clearance from the World’s First “Megacity” Jordan Sand (Japanese History and Culture, Georgetown University) Presentation available here. Video of the conversation available here. Professor Sand presented his research on the activities of a Tokyo slumlord at the turn of the 20th century. by Jon Pitt In The Practice of Everyday Life, Michel de Certeau writes, “There is no place that is…


Power and the Audiovisual

Posted on by Genise Choy

As part of the Global Urban Humanities Initiative Colloquium called Reading Cities, Sensing Cities we have asked students and visitors to write responses to each of the weekly guest lectures.   October 23, 2014 Urban Space, Spectacle, Memory and Music in Nineteenth-Century Vienna Nicholas Mathew (Music) Presentation available here. Video of the conversation available here. Mathew presented on the role of music and sound in the emergence of modern civic sensibilities in Napoleonic Vienna, and how printed music came to shape a new politics of urban pedestrianism.     by Brandon Harrell   On October 23, Professor Nicolas Mathew gave…


The Sound of Urban Spectacle

Posted on by Genise Choy

As part of the Global Urban Humanities Initiative Colloquium called Reading Cities, Sensing Cities we have asked students and visitors to write responses to each of the weekly guest lectures. October 23, 2014 Urban Space, Spectacle, Memory and Music in Nineteenth-Century Vienna Nicholas Mathew (Music) Presentation available here. Video of the conversation available here. Mathew presented on the role of music and sound in the emergence of modern civic sensibilities in Napoleonic Vienna, and how printed music came to shape a new politics of urban pedestrianism. by Swetha Vijayakumar “The spectacle is not a collection of images; rather, it is…


An Engaged Populace Through Music

Posted on by Genise Choy

As part of the Global Urban Humanities Initiative Colloquium called Reading Cities, Sensing Cities we have asked students and visitors to write responses to each of the weekly guest lectures. October 23, 2014 Urban Space, Spectacle, Memory and Music in Nineteenth-Century Vienna Nicholas Mathew (Music) Presentation available here. Video of the conversation available here. Mathew presented on the role of music and sound in the emergence of modern civic sensibilities in Napoleonic Vienna, and how printed music came to shape a new politics of urban pedestrianism. by Matthew Goodman This week’s lecture provided an interesting glimpse into how music shaped…


Redirecting the Relationship Between Tech and Innovation

Posted on by Genise Choy

As part of the Global Urban Humanities Initiative Colloquium called Reading Cities, Sensing Cities we have asked students and visitors to write responses to each of the weekly guest lectures. October 16, 2014 Creative Class Civil Wars: Displacement and the Arts in the Bay Area Shannon Steen (Theater, Dance, and Performance Studies) Presentation available here. Video of the conversation available here. Steen presented research from her project “Creative Class Civil Wars,” which explores the ways our concepts of creativity are shifting to exclude those in the arts. by Robyn Perry "The notion that diversity in an early team is important…


From Bricks to Bus Stops: Protesting San Francisco’s Second Tech Boom

Posted on by Genise Choy

As part of the Global Urban Humanities Initiative Colloquium called Reading Cities, Sensing Cities we have asked students and visitors to write responses to each of the weekly guest lectures. October 16, 2014 Creative Class Civil Wars: Displacement and the Arts in the Bay Area Shannon Steen (Theater, Dance, and Performance Studies) Presentation available here. Video of the conversation available here. Steen presented research from her project “Creative Class Civil Wars,” which explores the ways our concepts of creativity are shifting to exclude those in the arts. by Will Payne Shannon Steen’s presentation about the shifting role the term “creative”…


Crossroads Modernity: The Case of Tbilisi

Posted on by Genise Choy

As part of the Global Urban Humanities Initiative Colloquium called Reading Cities, Sensing Cities we have asked students and visitors to write responses to each of the weekly guest lectures. October 9, 2014 Uneven Modernity and the “Peripheral” City: Between Ethnography, History and Literature in Tbilisi Harsha Ram (Slavic Languages and Literature; Comparative Literature) Video of the conversation available here. Ram discussed the literary culture of Tbilisi as it relates to modernism and the unique history of Georgia. by Elisa Russian Tbilisi, the current capital of Georgia, was founded in the 5th century on one of the main trade and…